孤舟簑笠翁 獨釣寒江雪
We have seen scenes caught in the act in videos or photos, and felt
the real meaning of “spontaneous” or “natural”.
The ancient poets had also often captured scenes in the act, and
they wrote poems to describe or “picture” the moments.
However, we can only “see” those “caught in act” scenes described
in their poems through our imagination.
Of course, we start the ones written by 白居易:
侍兒扶起嬌無力
回眸一笑百媚生
千呼萬喚始出來
猶抱琵琶半遮面
Then the others:
小舟從此逝 江海寄餘生
月落烏啼霜滿天
風吹草低見牛羊
竹喧歸浣女 蓮動下漁舟
西塞山前白鷺飛
雲破月來花弄影
兩個黃鸝鳴翠柳 一行白鷺上青天
拂牆花影動 疑是玉人來
牧童歸去橫牛背 短笛無腔信口吹
青箬笠 綠簑衣 斜風細雨不須歸
枯藤老樹昏鴉
孤舟簑笠翁 獨釣寒江雪
風明兩岸葉 月照一孤舟
當時明月在 曾照彩雲歸
桑柘影斜春社散 家家扶得醉人歸
晨興理荒穢 帶月荷鋤歸
清明時節雨紛紛 路上行人欲斷魂
落霞與孤鶩齊飛
舉杯邀明月 對影成三人
寒波淡淡起 白鳥悠悠下
Even in this “humanized” poem "新晴" by 宋 劉攽 ,
“南風” (South Wind), was "caught in the act":
青苔滿地初晴後， 綠樹無人晝夢餘 ；
唯有南風舊相識， "偷開門戶又翻書"。
Yeh Tze
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